Claudia Cattelan, an Italian video-artist, is preparing a film for the cinema, a rather unusual project that blends real life and fiction. She then travels to Rotterdam, where her film is set, to suss out the locations. Here she meets a French actor and offers him the lead role. Although he is not very famous, Serge Coran is a serious professional who after years of playing the houses still hasn't had the opportunity to star in a lead cinema role. He has travelled all the way to Rotterdam precisely for this reason, but finds the meeting place and the audition he is given rather unusual. Something disturbs him deep down, but he is not sure what it is. Serge takes some time to think it over and informs his agent of the offer. The same day, Serge and Claudia spend the evening together and end up in each other's arms - an unexpected night of love, two lonely hearts that meet, or possibly just a fated encounter.

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Some of the cult protagonists of the television program "L'altra domenica" (The Other Sunday) delight in gags and skits in the name of fun. The film includes all the jokes, monologues, and gags that were cut from the previous film for runtime reasons.

The struggle of a woman against her ex-husband to have custody of their children. The first attempt to incapacitate ex husband to his wife and, when the ploy did not produce the desired effect, with the complicity of his children's nanny, kidnaps and takes them to Moldova. But the protagonist is not will give up and hire a detective for help in the search.

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Ottavio Camaldoli is a professor of Latin and Greek. An honest and gentleman, he is considered a "fool" by everyone around him. But what would happen if this defenseless man, a victim of petty daily abuses in his social life, at work, and even at home, were to receive another man's heart transplant? Especially if this other man, the donor, were a brutal criminal with the sinister nickname of "O Barbiere" (The Barber)? Would Ottavio Camaldoli, after inheriting the heart, automatically become a criminal? Science tells us that these are just silly, ancient beliefs. But what if Donna Carmela, the Barber's ruthless mother, were convinced that her son is still alive thanks to the heart now beating in the professor's chest?

A documentary about the historic film producer, the first woman to make her mark in a predominantly male environment. A key figure in the great season of Italian auteur cinema between the late 1960s and the 1970s, Marina Cicogna worked with great directors and actors, winning an Oscar with "Investigation of a Citizen Above Suspicion" by Elio Petri and a Golden Lion with "Belle de Jour" by Luis Buñuel in Venice.

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